This page is deticated
to Samsung Miniket
sports camcorders. Specifically the VP-X300L at the moment, as that's
all I
have.
Ultimately, this page will probably move to the Remolition
website
as part of an extreme sports video making section.
Please note that this page is largely UK (And therefore PAL rather than
NTSC)
specific.
About
The Samsung VP-X300L is a solid state ("No moving parts") MPEG-4
digital camcorder. It records directly to SD card as DivX AVI.
It is the first consumer (ie
all bits needed for a headcam
come in the box) headcam
that I am aware of that shoots in full SD (720x576 @ 25 FPS in the case
of PAL)
and can shoot in interlaced or progressive.Quality
is
pretty damned good (As long as you set it to "Super Fine") -
certainly good enough to consign my bulky miniDV
to
the drawer.
Niggles
Here is a list of the issues I have with the camera. Hopefully someone
at
Samsung will see this and correct these in a firmware update / future
camera.
- Black Bars:
I get black bars at the left and right of the image with the headcam. I have verified that other people get this with their unit so it appears to be a design fault not a manufacturing one.
Suggestion to
Samsung: Fix this issue please
Workaround: Zoom the video in your editor. Be careful to make sure you don't zoom interlaced footage as this will cause issues.
- FourCC code:
The clips output by the camera are DivX
compatible MPEG-4 ASP and can happily be decoded by the DivX codec.
However, each AVI file has a "FourCC"
- literally Four Character Code - 4 characters at the start of the file
to tell the decoder (eg
Windows Media Player) which codec to use to decode the movie.
The Samsung VP-X300L sets these four characters to "SEDG". This is why,
if you do not install the codec from the CD that comes with the camera,
you cannot watch the videos. However, if you change the fourcc of any given file to
"DIVX" then it will play using the normal DivX
codec you probably have installed on your PC.
This would probably not be an issue,
however, various editing applications (eg
Adobe Premiere) will not be able to edit the files if the FourCC is set to SEDG.
I guess this is probaby
a licencing issue?
Samsung didn't want to pay DivX
inc a fee to put a "DivX compatible" sticker on the
product? AFAIK nothing is stopping them setting the FourCC to DIVX though, xvid do this by default so I do
not see why Samsung can't.
Suggestion to
Samsung: Put an option in the menu to pick which
FourCC to put in the
file.
Workaround:
Use abcAVI
to change the FourCC
from SEDG to DIVX. I suggest you store this app on the memory card you
use with the camera so that you can change the fourcc
on another PC should you need to.
- Head strap:
The included head strap slips off a helmet very easily.
Suggestion to
Samsung: Add silicone bead
Workaround:
Get some silicone tile sealant (For bathrooms) and squirt some on the
back of the strap.
- CCD sensor
quality:
The quality of the CCD seems OK, until you point it at light. At which
point it over-exposes for a while. I guess this is because of cost
limitations meaning a cheaper CMOS sensor had to be used.
Suggestion to
Samsung: How about releasing upgrade headcams (eg
a 3 CCD unit please!!)
that you can just plug in?
Workaround:
When mounting the head camera, point it a little more at the ground
than the sky. It is quite wide angle, so this shouldn't affect your
shot too much. There is no actual adjustment for the angle on the headstrap, but you can twist thestrap so that it passes
through the plastic head mount at a diagonal angle.
- "720p" /
"720i" in display:
A bit pedantic this one... On the main display, the width of the
shooting mode is shown together with a p for progressive or i for interlaced.
In moderen terms,
"720p" means 720 lines and progressive, not 720 columns
and progressive - so this display is implying that you are shooting in
720p HD.
Suggestion to
Samsung: This should be changed to 576p or 576i
(in the case of PAL)
Workaround:
None required.
- Head cam
connector:
The connector for the head cam is a little exposed.
Suggestion to
Samsung: It should probably
be more flush with the
body. I would also reccomend
that there is a clip included in the cable which attaches to the body,
so it is impossible to put strain on the plug.
Workaround:
Not come up with anything yet. Had to have 1 motherboard
replaced so far due to a fault with this connector.
Feature
Requests
Stuff I would like to see in an update or on a future model...
- AVI Split
function:
There is no
function on the camera to split AVIs.
- USB Host:
The X300L would rock even more if it was a USB host. The existing
joystick would be sufficient to select files to copy to a hard disk, so
it would just be a case of upgrading the USB controller and a bit of
software. You had the foresight to include a charging connector and
a USB connector, so if you made the X400L a USB host device we could
plug it into power and a USB HDD and record for days or weeks on end!!
- Timelapse:
There is no time lapse function on the camera. Would be quite nice
given the weatherproof lens to be able to leave the camera somewhere
and record a movie over hours or days.
- High Definition:
Even if the shipped CCD was SD, maybe consider making the main unit
capable of recording HD and provide aftermarket lens
upgrades for sale?
- Full SDHC
support:
Up to 32GB+ please as supported by proper SDHC.
Accessories
- Spare / Extra
batteries:
It
can be a little hard to find batteries in the UK.
I have found this vendor
in the UK for regular capacity (SB-P120A
: 1200mAh)
3rd party batteries - I own one and they work fine, although
being silver
in colour.
I
have also found this vendor
in Holland that sells the higher capacity batteries (SB-P190A
: 1900mAh).
The charger I see commonly sold with these batteries (Pictured on the dutch
site) works fine and comes
with a car cigarette lighter adapter too.
- Storage:
In order to pull data off an SD card "in
the field" one would need
one of two things:
1. A USB storage device that can
act as a USB Host. Note that most external USB
drives will not do this!
If you see a "USB to Go" label, you should be good.
2. A storage device that has an
SD card slot.
Any device you use would need to have some controls on it to "Pull"
the files from the card or from the USB port. Most devices that will do
one of
the above will also do another and they are typically marketed as a
"Portable Media Player". Typically there will be two price brackets:
Ones that are "One touch" and will only back up all the contents of
the SD card or ones with more controls that you can chose to pull off
only
specific files. The latter are typically more expensive. A laptop will
obviously do this but it is rather bulky. I do not have a device like
this
currently.
- Tripods etc:
Both the headcam and
the main unit have a standard
tripod mount on them. The headcam
detaches from the
head band so you can attach the lens onto the end of a tripod / Monopd.
I can heavily recommend a Quikpod
in combination with this camera.
The regular (plastic) quickpod
is maybe a little
short, but is great for filming
yourself, collapses down very small and is very light.
The Pro SLR (metal) quickpod
is much longer, maybe a
little too long for filming yourself,
but is very
useful for getting interesting angles. As the head unit for the
VP-X300L is on
a length of wire, you can have the lens on the end of the pole, but
still be
able to see what you are filming on the screen of the main unit. You
can also
still start / stop filming from the inline button. Great for getting
high or
low shots.
- SD Cards:
SD
(All capacities) and SDHC (Up to 4GB) are supported. MicroSD in an SD
adapter is confirmed as working.
I recommend you buy 4GB micro SD (Not SDHC) cards as these will be
compatible with any SD or SDHC device through adapters (microSD is the
smallest, so you can put it in a miniSD adapter and that inside an SD
adapter, russian doll style).
When buying SD
cards, buy the fastest possible
card you can as if the write speed of the card is too low the camera
may have to degrade the bitrate (Quality) of the footage to enable the
card to keep up.
For SD cards, speed is rated like 133x or 150x - try and get 150x or
better.
For SDHC this is rated like C2, C4 (Class 2, Class 4) - try and get at
least C4, but get C6 or C8 if you can.
Trick n Tips
- Double FPS
footage:
This is a trick you can do with most cameras capable of
shooting in interlaced mode. Interlaced mode is accessed on the X300L
by setting "TV" mode instead of "PC" mode.
Interlaced mode is not actually 25FPS as with interlaced mode half
the screen (each alternate line) is stored per field
and there are two fields per frame.
Therefore it is actually storing alternate lines of the picture 50
times a second. Software can look at each of these 50 fields and
"guess" what was in the missing lines in between. Therefore, if you
de-interlace right, you can get slowmos
at double the smoothness than you would otherwise.
This trick works fine on the Miniket, you need to use the technique
detailed here,
use method 4b.
The link to the DeinterlaceSmooth filter has changed, it is now here..
However, with the miniket, adjust the AVISynth script to:
AviSource("somefile.avi")
ComplementParity
SeparateFields
If you forget the "ComplimentParity" line then the field order will be
wrong and it will look all jerky.
It is also possible to do this without having to use vdub to render out
the double rate footage, as long as you have a way to import AVS files
(AVISynth scripts) into your editor:
There is a Deinterlace Smooth filter for AVISynth here.
There is an avs plugin for Premiere here.
Use an avisynth script (text file with .avs extension) like
this:
LoadPlugin("SmoothDeinterlacer.dll")
AVISource("somefile.avi")
SmoothDeinterlace(tff=true, doublerate=true)
Then simply drag the .avs file into the editor, it will appear as a
double frame rate version of the source.
When doing this with some editors (Such as Premiere), the footage will
seem squashed horizontally. This is because it thinks the footage is
square pixels, when they are in fact not. (PAL and NTSC
pixels are rectangular). In premiere this is fixed by selecting the
source clip and chosing "Interpret Footage" and forcing it to the
correct aspect ratio (1.067 for PAL)
I will clarify this section at a later date.
- Interlaced
("TV") mode caveat:
Most miniDV cams film in interlaced. Interlaced fields are either
stored "top field first" (tff) or "bottom field first" (bff). PAL DV
for example is normally bff. I think NTSC DV is bff too. The miniket is
tff! So be careful mixing miniket interlaced footage and miniDV. Your
project likely has to be one or the other, but for example in Premiere
you can right click a clip and select "Reverse field order". If you see
wierd stuttering of motion (eg a moving subject goes forwards most
frames but backwards in some) then you likely have a field order issue.
Links
Samsung's
Miniket Page
My Miniket Forum
Quikpod
Contact me
Linkback to this page
for google:
Miniket
VP-X300L FAQ Samsung DivX
Camcorder SD